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October 2018

Hack Nation Pitch Competition

October 10, 2018 @ 5:30 pm - 8:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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Free

A pitch competition created for underrepresented entrepreneurs by underrepresented entrepreneurs. It has all of the elements of a traditional pitch competition, plus a few twists!

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Beautiful. Powerful. Love. – CELEBRATE!

October 13, 2018 @ 4:30 pm - 8:00 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$25.00

Honor and celebrate our Ancestral Mothers through music and dance performances from across the African Diaspora. Hear local author Barbara Pamplin sharing a joyful message of transformation and healing. Enjoy delicious neo-soul bites and shake it up at our dance party!

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King County Prosecutors Forum

October 14, 2018 @ 6:00 pm - 7:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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Free

The King County Prosecutor is a gatekeeper to justice in our region. Whomever holds this position controls key polices for undoing the school to prison pipeline, ending mass incarceration and racial disproportionality, and polices accountability. In the past few years there has been a movement for "progressive" prosecutors to run for office. In some cities this has been a strategy for reform.

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Jazz at LANGSTON – Tribute to Dave Lewis featuring D’Vonne Lewis and Friends

October 21, 2018 @ 8:00 pm - 10:00 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $22.00

D’Vonne Lewis, a major presence on the Seattle scene, tributes his grandfather, a B3 player of jazz, blues, and R&B and pioneer integrator of black and white musicians. Joining the drummer are Hammond B3 wiz Joe Doria and guitarist Cole Schuster, plus special guests, including Jay Thomas.

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Jazz at LANGSTON – Garfield High School Jazz Band

October 22, 2018 @ 7:30 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $20.00

Year in year out, the Garfield band under the direction of Clarence Acox performs some of the tightest, most swinging jazz in town, taking regional and often national honors.

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Jazz at LANGSTON – Jazzmeia Horn

October 23, 2018 @ 8:00 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $22.00

The superb vocalist’s electrifying stage presence has won her the Thelonious Monk Vocal Jazz prize and the hearts of every audience she’s regaled.

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Jazz at LANGSTON – James Brandon Lewis Trio / Gary Hammon’s Last of the Tribe

October 24, 2018 @ 8:00 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $18.00

The powerful NYC tenor saxophonist carries the torch of today’s Black avant-garde with serious momentum from bassist Luke Stewart and drummer Warren “Trae” Crudup III. Kindred Seattle masters, saxophonist Opener Gary Hammon’s Last of the Tribe featuring Booker T. and Nathan Breedlove, set the stage and the spirit.

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Jazz at LANGSTON – Michael Powers / Deems Tsutakawa

October 25, 2018 @ 8:00 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $18.00

Two legends of Seattle’s contemporary jazz scene.

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Jazz at LANGSTON – Brandee Younger / Gretchen Yanover

October 26, 2018 @ 8:00 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $22.00

A rare exponent of jazz harp, Younger “taps into the spiritual well that fueled…both Ashby and Coltrane” (All About Jazz). Opening, Gretchen Yanover evokes an alternative reality with electronic loops of virtuosic cello.

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Jazz at LANGSTON – Madison McFerrin / SassyBlack

October 27, 2018 @ 8:00 pm - 9:30 pm
Langston Hughes Performing Arts Institute, 104 17th Ave South
Seattle, 98144 United States
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$10.00 – $20.00

Two arresting singer/songwriter/producers: New Yorker Madison McFerrin deploys “wonderful vocal dexterity, deftly swerving from sharp, clearly enunciated staccato bursts to fluttery, free-form melismata” (New York Times), while Seattle’s SassyBlack conjures up “electronic psychedelic soul” and “hologram funk.”

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